There are better quality clips of George Carl on youtube, but this is my favourite.
The audience is right behind him which gives a great fluency and sharpness to his schtick.
George Carl is probably best known to modern audiences for his role in the film “Funny Bones” as an old variety entertainer who never speaks.
Carl is a fascinating performer to study as he is a direct link from the authentic vaudeville circuit, having begun performing in 1932. His act looks and feels old fashioned, but it’s still great fun for a modern audience. He enjoyed great success late in his career appearing on The Johnny Carson Show – and there is plenty of youtube footage of him on European television.
The greatest thing about Carl is his dexterity – high speed control of hat tricks and getting caught up in wire, mic stand and button holes. His skill is superb, and for most audiences this is enough.
But he also has a wonderful persona – a tiny man with a wizened face – who has a likeability similar to Norman Wisdom and his voice-less performance gives him a Chaplineqsue animal-like quality which is very attractive.
There is a slight problem for modern viewers of Carl’s act. In his pursuit of pace and as a result of having done the same act so many times, he slightly fudges the sense of his routine. There are occasions when he manipulates props in ways that don’t make sense to his character’s situation. He doesn’t always acknowledge events or take time to react to events within the chaos.
I have a feeling that this was not always the case, and that he has lost definition over hundreds of performances. Having said that, the chaos is so sublime that it is enough to make a great act. Having seen some other footage of Carl as a great acrobat, I imagine that he concentrated more on the execution of the skills than on strict adherence to the rules of naturalism.
For me, though, the core of Carl’s success is his persona – his small stature, cheeky face and vulnerability are just wonderful and you can see the years of artistry in his every movement.
IN A NUTSHELL
Use a likeable persona
Enjoy full control of your props
You don’t need any vocal sound to knock out a modern audience
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